Voicemail #166 (I Was Just Thinking About You) • 73x33" • $5400
Voicemail #166 (I Was Just Thinking About You) • 73x33" • $5400

This work is part of a larger series of paintings based on sound waves of voicemail messages I have saved since returning to America. The title refers to the language used - the core meaning of the message.

View series here

SOLD • Voicemail #197 (Figure It Out) • 40x64”
SOLD • Voicemail #197 (Figure It Out) • 40x64”

Acrylic on canvas • 2018 • SOLD

Voicemail #201 (I Said I Was Sorry) • 40x40” • $6000
Voicemail #201 (I Said I Was Sorry) • 40x40” • $6000

This series is based on sound waves of saved voicemail messages. The title refers to the text - the core meaning of the message - and the number corresponds to the order received.

The Sound of Silence (murmuration) • 33x73" • $5400
The Sound of Silence (murmuration) • 33x73" • $5400

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All The Things You Are • 54x84" • $9800
All The Things You Are • 54x84" • $9800

Has Anyone Seen The Moon • 36x60” • $4500
Has Anyone Seen The Moon • 36x60” • $4500
March • 72x72" • $9300
March • 72x72" • $9300

Voicemail #91 (SOME PEOPLE) • 40x40” • $6000
Voicemail #91 (SOME PEOPLE) • 40x40” • $6000

This work is part of a larger series of paintings based on sound waves of voicemail messages I have saved since returning to America. Each painting is a visual representation of language used in the message: the abstracted imagery and lines correspond to a sound wave of this spoken audio. The title references this text - the core meaning of the message - and the number corresponds to the order received.

December • 60x70" • $7500
December • 60x70" • $7500

Acrylic on canvas • AVAILABLE

Complexity Theory • 40x40" • $5200
Complexity Theory • 40x40" • $5200

Acrylic on canvas • AVAILABLE

SOLD • The Sound of Absence (II) • 40x40"
SOLD • The Sound of Absence (II) • 40x40"

Acrylic on canvas • 2017 • SOLD

SOLD • Impermanence • 72x60"
SOLD • Impermanence • 72x60"

Acrylic on canvas • 2016

Concrete • 48x60" • $6500
Concrete • 48x60" • $6500

Acrylic on canvas • AVAILABLE

"There is a very nice idea from the Gutai group, a Japanese group of artist, where they said 'When this chair degrades, it's actually the chair's revenge for being taken out of its natural state.' All of these materials, including ourselves, are constantly in a state of either growth or degradation." - Artist Sarah Sze

I have been thinking a lot lately about the transformation and breakdown of materials, specifically cement. It starts as a powder, becomes nearly indestructible when dry, but inevitably cracks over time... or sometimes quickly when water and fluctuating temperatures are introduced. Holes in roads are caused when water seeps into the pavement, freezes, and expands. Something as soft and delicate and fragile as water has the power to break the unbreakable.

How Long Is A Piece Of String • 84x64" • $10,000
How Long Is A Piece Of String • 84x64" • $10,000

SOLD • Impermanence II (me me me) • 48x36"
SOLD • Impermanence II (me me me) • 48x36"

Acrylic & epoxy resin on canvas • 2016

In the Impermanence series, the word “me” is repeated throughout the painting. When written in cursive and without spaces, the word “me” loses its significance. It is simply another aesthetic element and another layer.

I incorporated text into my paintings as a way to bridge the gap between painting and writing. People tell me they cannot draw. Yet in my mind, drawing, painting, and writing all require practice, not creativity. I see drawing and painting as an extension of handwriting. Each individual’s handwriting is highly unique.

The “me” in the paintings is not obvious at first. Although the repetition of the word “me” could be interpreted as narcissistic, my intention is to reflect upon the woman’s role as caretaker and putting others first. It is also indicative of the anxiety women have when speaking their mind for fear of disappointing someone or being viewed negatively. The choice of “Impermanence” for this series is therefore intended to highlight the concept that this self-sacrificing behavior of women can be changed.

All The Best • 58x62" • $7600
All The Best • 58x62" • $7600

Acrylic on canvas • 2018 • AVAILABLE

Impermanence (IV) • 36x48 • $3000
Impermanence (IV) • 36x48 • $3000

Acrylic and epoxy resin on canvas • AVAILABLE • $3000

SOLD • Impermanence (moi) • 40X30"
SOLD • Impermanence (moi) • 40X30"

Acrylic & epoxy resin on canvas • 2016

In the Impermanence series, the word “me” is repeated throughout the painting. When written in cursive and without spaces, the word “me” loses its significance. It is simply another aesthetic element and another layer.

I incorporated text into my paintings as a way to bridge the gap between painting and writing. People tell me they cannot draw. Yet in my mind, drawing, painting, and writing all require practice, not creativity. I see drawing and painting as an extension of handwriting. Each individual’s handwriting is highly unique.

The “me” in the paintings is not obvious at first. Although the repetition of the word “me” could be interpreted as narcissistic, my intention is to reflect upon the woman’s role as caretaker and putting others first. It is also indicative of the anxiety women have when speaking their mind for fear of disappointing someone or being viewed negatively. The choice of “Impermanence” for this series is therefore intended to highlight the concept that this self-sacrificing behavior of women can be changed.

into the fire • 46x68" • $6800
into the fire • 46x68" • $6800

The title refers to the idiom "Out of the frying pan and into the fire" or to go from a bad situation to one that is much worse.

Attrition • 96x66" • $12,000
Attrition • 96x66" • $12,000

More Than Anything • 90x72" • $12,000
More Than Anything • 90x72" • $12,000

Acrylic on canvas • 2018 • Available

November • 48x60" • $5000
November • 48x60" • $5000

SOLD • The Sound of Absence • 80x60"
SOLD • The Sound of Absence • 80x60"

Acrylic on canvas • 2016

Saudade • 54x80" • $10,000
Saudade • 54x80" • $10,000

Acrylic on canvas • AVAILABLE

The title for this painting refers to a "deep emotional state of nostalgic or profound melancholic longing for an absent something or someone that one loves. It is an emotional state that can evoke happiness, excitement, and pleasure for something that has happened while simultaneously cause sadness and suffering knowing it will never happen again."

Happiness and sadness at the same time.

4AM • 96x64" • $12,000
4AM • 96x64" • $12,000

Acrylic on canvas • 2017 • AVAILABLE

Something I've Been Meaning To Tell You • 96x72" • $12,500
Something I've Been Meaning To Tell You • 96x72" • $12,500

Three panels: 30x72”, 36x72” & 30x72” • $12,500

Click here for installation photos

before the moon • 58x72" • $7800
before the moon • 58x72" • $7800

Acrylic on canvas • 2016 • AVAILABLE

The title is taken from a line in the poem XXXVIII by e.e. cummings

Ship of Theseus • 84x62" • $10,000
Ship of Theseus • 84x62" • $10,000

Acrylic on canvas • AVAILABLE

Jamais noir et blanc • 60x78" • $9000
Jamais noir et blanc • 60x78" • $9000

Acrylic on canvas • AVAILABLE

There is very little black in this painting. What you think you see as black is actually a mix of blue, brown, red, and purple.

SOLD • What you know, you know (demand me nothing) • 60x80"
SOLD • What you know, you know (demand me nothing) • 60x80"

PRINTS AVAILABLE - Click here to buy

The title is taken from Iago's last lines is Shakespeare's Othello. At the end of the play, chaos ensues yet there are no logical explanations for Iago’s behavior. The painting is a meditative reflection on powerlessness and how when faced with the inexplicable, we must search within ourselves for the answers.

Catalyst Reaction • 72x54" • $7500
Catalyst Reaction • 72x54" • $7500

Acrylic on canvas • AVAILABLE