Murmuration • 36x60"
Murmuration • 36x60"

Acrylic on canvas •  2017

The title refers to "the aerial ballet" performed when hundreds or thousands of birds fly in swooping, intricately coordinated patterns through the sky. It's a defense mechanism; the birds strive to put distance between themselves and their predator. The movement of the flock is never led by an individual bird, but is governed by all of the birds. 

Not Fate, Not Luck, Not Serendipity • 56x84"
Not Fate, Not Luck, Not Serendipity • 56x84"

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This painting and its title refer to fleeting moments that inadvertently shape our lives. In chaos theory, these small changes that result in large differences are known as the butterfly effect. In our everyday lives, is not fate, not luck, not serendipity, not chance, not coincidence, but a combination of all of the above.

What you know, you know (demand me nothing) • 60x80"
What you know, you know (demand me nothing) • 60x80"

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The title is taken from Iago's last lines is Shakespeare's Othello. At the end of the play, chaos ensues yet there are no logical explanations for Iago’s behavior. The painting is a meditative reflection on powerlessness and how when faced with the inexplicable, we must search within ourselves for the answers.

Impermanence • 72x60"
Impermanence • 72x60"

Acrylic on canvas • 2016

BCN/CDG/LAX/SAN (Commission) • 58x84"
BCN/CDG/LAX/SAN (Commission) • 58x84"

Acrylic on canvas • 2016

The Sound of Absence • 80x60"
The Sound of Absence • 80x60"

Acrylic on canvas • 2016

Invisible Cities III • 24x30"
Invisible Cities III • 24x30"

Acrylic and epoxy resin on canvas / 2016

The title refers to the book by Italo Calvino that describes cities framed in a conversation between Marco Polo and Kublai Khan. 

The Sound of Absence (II) • 40x40"
The Sound of Absence (II) • 40x40"

Acrylic on canvas • 2017

Broken (#redwhiteblue) • 48x36"
Broken (#redwhiteblue) • 48x36"

Acrylic on canvas • 2016

The title refers to the 2016 Presidential election.

Impermanence (moi) • 40X30"
Impermanence (moi) • 40X30"

Acrylic & epoxy resin on canvas • 2016

In the Impermanence series, the word “me” is repeated throughout the painting. When written in cursive and without spaces, the word “me” loses its significance. It is simply another aesthetic element and another layer.

I incorporated text into my paintings as a way to bridge the gap between painting and writing. People tell me they cannot draw. Yet in my mind, drawing, painting, and writing all require practice, not creativity. I see drawing and painting as an extension of handwriting. Each individual’s handwriting is highly unique.

The “me” in the paintings is not obvious at first. Although the repetition of the word “me” could be interpreted as narcissistic, my intention is to reflect upon the woman’s role as caretaker and putting others first. It is also indicative of the anxiety women have when speaking their mind for fear of disappointing someone or being viewed negatively. The choice of “Impermanence” for this series is therefore intended to highlight the concept that this self-sacrificing behavior of women can be changed.

SOLD - Invisible Cities • 36x60"
SOLD - Invisible Cities • 36x60"

Acrylic on canvas • 2016

The title refers to the book by Italo Calvino that describes cities framed in a conversation between Marco Polo and Kublai Khan.

Invisible Cities (Commission) • 36x60
Invisible Cities (Commission) • 36x60

Acrylic on canvas • 2017

Zenith
Zenith

24 x 48" / Acrylic on canvas / 2016

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